The legacy of Rome is still very much with us in Europe. It forms part of our cultural backdrop, and is enshrined in the European mind, whether through classical literature, education and jurisprudence, or spectacular ruins. In Rome and Its Empire, first published in 1989, Stephen Johnson examines our understanding of the archaeological aspects of Roman civilisation, and traces the development of archaeology from the earliest post-Roman times, through to its real discovery in the eighteenth century, and its burgeoning in the nineteenth and twentieth centuries. Various areas of modern archaeological thought and practice are examined with regard to the study of Roman archaeology. The emphasis is on how archaeologists examine and classify material, and the various ways in which valid historical conclusions are deduced from that evidence. Johnson concludes by exploring how techniques from other disciplines are now being applied to archaeological study, and indicates what we may yet learn from this.

This book provides a thorough analysis of the Liberal Democratic Party of Japan (LDP), from a variety of perspectives including its factions, party presidential elections, the distribution of posts, national elections, local organisations, the policy making process and partner organisations. Drawing on comprehensive and up-to-date data, as well as a large number of interviews, internal party documents and quantitative data, The Liberal Democratic Party of Japan explains the machinery of the Japanese government and ruling party, exploring how policies are made. In so doing, the chapters also analyse the strengths and weaknesses of today's LDP through a comparison of Koizumi Juni'ichiro and Abe Shinzo, both having established long-lasting administrations through their strong leadership. Demonstrating how the LDP has changed significantly over recent years, particularly since the political reforms of 1994, this book will be extremely useful to students and scholars of Japanese and Asian politics.

Introduced and edited by broadcaster Stephen Johnson, a curated selection of chilling ghost stories from world literature. Why do people love ghost stories, even if they don't believe (or say they don't believe) in ghosts? Is it simply the adrenaline rush that comes from being mesmerized and terrified by a great storyteller, or do these tales yield deeper meanings-telling us things about our own inner shadows? Stephen Johnson brings together some of the most memorable encounters with ghosts in world literature, from Europe, Russia, the United States, and China. Recurring themes and imagery are noted, interpretations suggested-but only suggested, since ambiguity and resistance to rational interpretation are key elements in the best ghost stories. As the writer Robert Aickman observed, often the decisive moment comes when someone, somehow, makes a "wrong turning"-literally, perhaps, but at the same time psychologically, even morally-and some mysterious nemesis takes over. Old favorites by M. R. James, Ambrose Bierce, and Charlotte Perkins Gilman are interlaced with extracts from longer works by Emily Bronte, Henry James, and Alexander Pushkin,, along with slightly left-field apparitions from Tove Jansson and Flann O'Brien. With such expert guides, who knows what we will be led to encounter in the haunted chambers of our minds?

'Thrilling.' John Banville, Guardian The Eighth Symphony was going to be different from anything Mahler had ever done before: it would speak in different tones, and of a different kind of experience. The world premiere in Munich in the summer of 1910 was the artistic breakthrough for which the composer had yearned all his adult life. Stephen Johnson recounts the symphony's far-reaching effect on composers, conductors and writers of the time. Placing Mahler within his world, The Eighth reassesses Mahler's work in the context of the prevailing thought of his age, but also against the backdrop of that tumultuous summer, when Mahler worked desperately on his Tenth Symphony, was betrayed by his wife, and consulted Sigmund Freud. It is a story like no other.

The legacy of Rome is still very much with us in Europe. It forms part of our cultural backdrop, and is enshrined in the European mind, whether through classical literature, education and jurisprudence, or spectacular ruins. In Rome and Its Empire, first published in 1989, Stephen Johnson examines our understanding of the archaeological aspects of Roman civilisation, and traces the development of archaeology from the earliest post-Roman times, through to its real discovery in the eighteenth century, and its burgeoning in the nineteenth and twentieth centuries. Various areas of modern archaeological thought and practice are examined with regard to the study of Roman archaeology. The emphasis is on how archaeologists examine and classify material, and the various ways in which valid historical conclusions are deduced from that evidence. Johnson concludes by exploring how techniques from other disciplines are now being applied to archaeological study, and indicates what we may yet learn from this.

Later Roman Britain, first published in 1980, charts the end of Roman rule in Britain and gives an overall impression of the beginning of the so-called 'Dark Ages' of British history, the transitional period which saw the breakdown of Roman administration and the beginnings of Saxon settlement. Stephen Johnson traces the flourishing of Romano-British society and the pressures upon it which produced its eventual fragmentation, examining the province's barbarian neighbours and the way the defence was organised against the many threats to its security. The final chapters, using mainly the findings of recent archaeology, assess the initial arrival of the Saxon settlers, and indicate the continuity of life between late Roman and early Saxon England. Later Roman Britain gives a fascinating glimpse of a period scarce with historical sources, but during which changes fundamental to the formation of modern Britain began to take place.

Later Roman Britain, first published in 1980, charts the end of Roman rule in Britain and gives an overall impression of the beginning of the so-called 'Dark Ages' of British history, the transitional period which saw the breakdown of Roman administration and the beginnings of Saxon settlement. Stephen Johnson traces the flourishing of Romano-British society and the pressures upon it which produced its eventual fragmentation, examining the province's barbarian neighbours and the way the defence was organised against the many threats to its security. The final chapters, using mainly the findings of recent archaeology, assess the initial arrival of the Saxon settlers, and indicate the continuity of life between late Roman and early Saxon England. Later Roman Britain gives a fascinating glimpse of a period scarce with historical sources, but during which changes fundamental to the formation of modern Britain began to take place.

Based on the ancient Chinese concept of the unity of Heaven and Man (天人�一, ‘tian ren he yi’), guided by principles governing the connections and interdependencies between Heaven, Earth, Man, and the media, and in accord with the coexistence of these four elements in balance and in harmony, this monograph outlines the scope of the study, fundamental concepts and theories, and future directions of research in the interdisciplinary field of the geography of media. The author delves deeply into the themes of time, space, place, landscape, and scale to introduce readers to a wide array of intriguing concepts that add new dimensions to this relatively new academic field. In addition, this monograph presents a history of media geography as it has evolved in the West and in China over the past several decades, and introduces principles and values from traditional Chinese culture that shed light on the nature, direction, and significance of media studies and communication research now being conducted around the globe.    Intended readership: professional scholars, graduates, and general readers. 

This book provides a thorough analysis of the Liberal Democratic Party of Japan (LDP), from a variety of perspectives including its factions, party presidential elections, the distribution of posts, national elections, local organisations, the policy making process and partner organisations. Drawing on comprehensive and up-to-date data, as well as a large number of interviews, internal party documents and quantitative data, The Liberal Democratic Party of Japan explains the machinery of the Japanese government and ruling party, exploring how policies are made. In so doing, the chapters also analyse the strengths and weaknesses of today's LDP through a comparison of Koizumi Juni'ichiro and Abe Shinzo, both having established long-lasting administrations through their strong leadership. Demonstrating how the LDP has changed significantly over recent years, particularly since the political reforms of 1994, this book will be extremely useful to students and scholars of Japanese and Asian politics.

Through interviews conducted with surviving members of Soviet orchestras, through his reading of philosophers, psychoanalysts, and neurologists, Johnson paints a compelling picture of one man's music and its power to validate and sustain another man's life.

The Liberal Democratic Party in Japan remained in power continuously between 1955 and 1993. In this groundbreaking study of the dominance of the LDP in Japanese politics over the last forty years, Opposition Politics in Japan examines the challenges which were mounted against this regime and explores why they failed. The subjects covered include opportunities for a united opposition during the 1970s, ideological, organisational and electoral aspects of the opposition's lack of response to such opportunities and the causes of opposition fragmentation. The book also looks at attempts at coalition, the influence of the trade unions, the importance of organisational factors and the influence, if any, of the oppositions's Marxist tendencies.
A highly original and thorough exploration of the issues, Opposition Politics in Japan is essential reading for all those interested in Japanese politics.

Stephen Johnson, compositor, dirige en la BBC un programa de música clásica y explora en este texto cómo la música de Shostakovich se fue gestando bajo la época del Terror de Stalin, y cómo logró dar forma a los miedos y esperanzas de un pueblo castigado por la guerra y la historia. Johnson escribe sobre el poder terapéutico de la música para quienes padecen desórdenes mentales y cuenta cómo la música de Shostakovich le insufló a él mismo una fuerza insospechada en su lucha contra el trastorno bipolar.El texto enlaza episodios autobiográficos con entrevistas realizadas a músicos rusos coetáneos de Shostakovich y con reflexiones sobre la particular lectura que hace Johnson de filósofos, psicoanalistas y neurólogos, hasta dibujar ante nosotros una imagen profunda y convincente de cómo la música concebida por una persona encierra el hechizo que permite salvar la vida de otra persona.

Mistletoe therapy is becoming more recognised as a viable treatment for cancer. The mistletoe plant contains several compounds including lectins which improve immune defences and can decrease the negative effects of cancer treatments. As a therapy, mistletoe represents a rediscovery of ancient wisdom and shows us how the science of modern medicine might expand its reach and reconnect with a more human-centred medicine. This book condenses the information shared at a three-day practitioner training course hosted by the Physicians' Association for Anthroposophic Medicine, highlighting several key lectures. This book serves as a bridge between conventional oncology and the development of Integrative Medicine as an effective path in the treatment of cancer. This book is a valuable resource for medical practitioners who want to expand cancer treatment options for their patients, as well as informative background reading for anyone interested in alternative medicine.

BBC music broadcaster Stephen Johnson explores the power of Shostakovich's music during Stalin's reign of terror, and writes of the extraordinary healing effect of music on sufferers of mental illness. Johnson looks at neurological, psychotherapeutic and philosophical findings, and reflects on his own experience, where he believes Shostakovich's music helped him survive the trials and assaults of bipolar disorder.'There's something about hearing your most painful emotions transformed into something beautiful...' The old Russian who uttered those words spoke for countless fellow survivors of Stalin's reign of terror. And the 'something beautiful' he had in mind was the music of Dmitri Shostakovich.Yet there is no escapism, no false consolation in Shostakovich's greatest music: this is some of the darkest, saddest, at times bitterest music ever composed. So why do so many feel grateful to Shostakovich for having created it - not just Russians, but westerners like Stephen Johnson, brought up in a very different, far safer kind of society? How is it that music that reflects pain, fear and desolation can help sufferers find - if not a way out, then a way to bear these feelings and ultimately rediscover pleasure in existence? Johnson draws on interviews with the members of the orchestra who performed Shostakovich's Leningrad Symphony during the siege of Leningrad, during which almost a third of the population starved to death. In the end, this book is a reaffirmation of a kind of humanist miracle: that hope could be reborn in a time when, to quote the writer Nadezhda Mandelstam, there was only 'Hope against Hope'.